Clare Beesley enjoys a busy and varied career as a flute-player, specialising in historical performance practice on early flutes spanning the Renaissance to Romantic periods.
Educated first at the Birmingham Conservatoire (UK), Clare received a BA (Hons) degree in modern flute (1997) and a Masters degree (with commendation) in baroque flute (1999). She then pursued her interest in early music at the Royal Conservatoire of the Hague (The Netherlands) under the tutelage of Wilbert Hazelzet (baroque and classical flutes) and Kate Clark (renaissance flute). She received further Bachelor and Master degrees in historical performance practice (the latter with distinction for achievements in renaissance consort playing) in 2004 and 2006.
As an orchestral player, Clare works with Concerto Amsterdam, Collegium Musicum Den Haag and Orchestra Le Chardon. Recent engagements have included performances with Barokksolistene, Das Kleine Konzert and Accademia Amsterdam. She leads the Renaissance flute consort Catch As Catch Can which has enjoyed numerous performances in the UK, Italy, The Netherlands and Austria. Alongside Earl Christy (lute/theorbo) she performs as the duo Chelys Sonora which has appeared in festivals and concert series in Belgium, The Netherlands, and UK.
Clare is an enthusiastic teacher and ensemble coach, and has tutored on the annual chamber music course Baroque Week since 2010. She serves as an examiner for the Associated Board of the Royal Schools of Music and has adjudicated as flute specialist for the 2016 and 2017 AMIS (Association for Music in International Schools) Solo and Ensemble Music Festival held at the American School of the Hague. Ongoing PhD research concerns interrelationships between 18th century notions of gender, aesthetics and flute tone.